Paschal Uche Ejikeme

Paschal Uche Ejikeme (born December 14, 1975), popularly known by his stage name Etcetera Ejikeme, is a multifaceted Nigerian entertainer and social commentator. He is recognized as a singer, songwriter, radio personality, newspaper columnist, and social activist.

Early Life and Education

Paschal Uche Ejikeme, widely recognized by his stage name Etcetera Ejikeme, was born on December 14, 1975, in Warri, Delta State, Nigeria. He hails from Amiyi, Umuaka in Njaba Local Government Area of Imo State, Nigeria. Raised in a devout and disciplined household, he is the seventh of nine children—three boys and six girls—born to Mr. David Ejikeme, a dedicated prison officer, and Mrs. Cecilia Ejikeme, a resourceful petty trader.

From a young age, Etcetera was immersed in an environment that valued integrity, resilience, and self-expression. These values would later shape his worldview and artistry.

He began his formal education at Dogho Primary School in Warri (1981–1984). Following a family relocation to Lagos, he continued at Central Primary School, Kirikiri Town, Apapa (1984–1987), and then attended Dr. Lucas Memorial High School in Apapa, completing his secondary education between 1988 and 1994. During these formative years, he began to develop a passion for music and the performing arts.

Musical Career

Etcetera’s musical journey began unexpectedly in 1998 when he joined the St. Joseph Catholic Church Youth Band in Apapa. When hired musicians failed to appear for a church event, Paschal stepped in to fill the gap, eventually deciding to learn the piano. Through intense daily practice, he mastered the instrument and discovered his calling in music.

Eager to refine his skill, he enrolled at the Musical Society of Nigeria (MUSON), Lagos—one of the country’s most prestigious music academies—where he studied music theory and instrumentation. This formal training would influence his distinctive musical style: a fusion of soft rock, Afro-acoustic rhythms, and philosophical lyricism.

In 2004, after years of independent growth, Etcetera entered the studio, working with iconic Nigerian producer OJB Jezreel and Joekaynie. Together, they recorded soulful tracks like “Michelle,” “Love Should Last,” and “Life for You.” These early recordings set him apart for their introspective lyrics and emotive delivery.

His breakthrough came in 2007 when he signed a two-album deal with X3M Music, a respected Nigerian label. That same year, he released his self-titled debut album, Etcetera, to critical acclaim. It stood out for its calm, message-driven compositions—an alternative to the prevailing dance-pop trend. His sophomore album, Yes I Am (2010), further established him as Nigeria’s leading voice in soft rock and alternative music.

Etcetera’s discography includes powerful and unconventional singles such as “This Is Not A Song,” “P&G” (featuring Vector), “Biafra,” and “No Virgin in America”—tracks that tackled themes ranging from political disillusionment to existential questions.

His refusal to conform to commercial pressures often placed him at odds with the mainstream industry. He criticized the unregulated nature of Nigeria’s music business and the commodification of creativity. Still, he remained steadfast in using music as a platform for truth, resistance, and personal liberation.

Exile and Reinvention in the United States

In 2016, faced with growing threats due to his outspoken political views, Etcetera relocated to Baltimore, Maryland, USA. The move marked more than a change in geography—it was a turning point in his personal and professional life. While in exile, he found the freedom to speak more openly and engage with socio-political issues from a global perspective.

In 2018, he released two politically charged singles: “No Virgin in America” and “Free Your Mind and Your Feet Will Follow.” These tracks reflected his ongoing critique of systemic decay and social injustice, not just in Nigeria, but in the Western world as well. He became actively involved in campaigns against drug abuse and crime in Baltimore, using his musira reinvented himself once more — this time as a media entrepreneur. In 2021, he founded Federal Character, an independent digital news and opinion platform designed to carry forward his core vision: to amplify the voices of the silenced, interrogate systems of power, and tell Africa’s story from a place of truth rather than propaganda.

As Editor-in-Chief, he led the platform into becoming a haven for well-researched commentary, investigative opinion pieces, diaspora perspectives, and unfiltered reports on African governance, identity, migration, and media manipulation. Federal Character was not only a media outlet — it was an ideological space, standing at the intersection of journalism, activism, and decolonization.

Even in exile, Etcetera’s activism remained present and potent. Through essays, podcast interviews, and his ongoing book project on neo-colonialism and the illusion of freedom in post-independence Africa, he continues to provoke urgent conversations around false democracies, economic exploitation, religious complicity, and the cultural erasure of African people.

What sets Etcetera apart in Nigeria’s cultural and intellectual history is not just that he spoke truth to power — but that he did so consistently, across multiple platforms, at great personal cost, and with no interest in populism. He is a cultural dissenter, a watchman of integrity, and an artist whose conscience became louder than his chords.

Notable Collaborations

Over the years, Etcetera has established himself not only as a unique voice in Nigerian music and media but also as a collaborator with individuals and institutions who share his commitment to truth, creativity, and social responsibility. His collaborations span across music production, journalism, broadcasting, and digital media.

🎼 Music Collaborations

One of Etcetera’s most significant musical collaborations came in 2014 when he featured renowned Nigerian rapper Vector on a socially conscious track titled “P&G.” This song reflected the fusion of alternative rock and hip-hop and explored the themes of values, personal integrity, and societal responsibility. The track stood out for its depth and was widely discussed in music circles for bridging genres with a message-driven approach.

Earlier in his career, Etcetera worked closely with legendary Nigerian music producer OJB Jezreel, who co-produced some of his earliest and most heartfelt songs, including “Michelle” and “Love Should Last.” These collaborations helped define the acoustic soul sound that would become his signature. He also worked with Joekaynie, another notable producer, during the recording of his debut album, contributing to its smooth, instrumental richness.

Through these musical partnerships, Etcetera created songs that were not only melodious but also reflective, emotionally layered, and socially relevant.

📻 Broadcast Media Collaborations

In the world of radio, Etcetera made a bold mark with his show “Etcetera Live” on Top Radio 90.9 FM in Lagos. As the host, he partnered with producers, radio executives, and guest speakers to deliver a program that stood out for its fearless commentary on politics, religion, entertainment, and youth culture. The show wasn’t just about music — it was a platform for unfiltered conversations and audience engagement.

His collaborations in broadcast media brought his voice into the homes of thousands of Nigerians, helping him influence public opinion and challenge social narratives in real time.

📰 Print Journalism Collaborations

As a columnist for The Punch Newspaper — one of Nigeria’s most respected publications — Etcetera collaborated with editors and media executives who gave him a platform to express controversial but necessary views. His articles sparked nationwide conversations, touching on issues such as hypocrisy in religion, corruption in politics, and the superficiality of celebrity culture.

This collaboration with The Punch elevated him from being just an artist to a credible public thinker and critic. It showed that his insight was not confined to music alone, but extended to civic responsibility and public discourse.

🌐 Digital Media and Intellectual Collaboration

In 2021, after relocating to the United States, Etcetera founded the independent online platform Federal Character, where he currently serves as Editor-in-Chief. Through this digital news outlet, he collaborates with a team of African journalists, diaspora writers, and socio-political commentators who share a commitment to telling authentic African stories without censorship or political interference.

Together, they produce content that focuses on politics, culture, identity, and governance — building an intellectual ecosystem that spans continents and influences a new generation of African readers and thinkers.

Controversy

I. Clash with the Nigerian Music Industry

One of Etcetera’s longest-running public feuds has been with the Nigerian music industry itself. In multiple interviews, articles, and radio segments, he criticized fellow musicians for what he described as “shallow lyrics,” “glorification of wealth,” and “promotion of moral decadence.” He called out the industry for prioritizing beats over meaning and accused several popular artists of misleading the youth through their content.

Though he often avoided naming names in his columns, many within the industry took offense. Some accused him of hypocrisy — being part of the industry while condemning it. Others claimed he was bitter due to a lack of mainstream success. This feud widened over time, effectively isolating Etcetera from the mainstream entertainment circuit and placing him in the alternative, activist-musician category.

II. Conflict with Nigerian Pastors and Religious Establishments

Etcetera also engaged in very public criticism of mega pastors and Pentecostal churches in Nigeria. In his Punch columns and radio shows, he questioned the financial practices of popular pastors and accused them of exploiting their followers through fear, manipulation, and prosperity preaching.

While he didn’t always mention specific names, his bold remarks were widely believed to be aimed at some of Nigeria’s most influential religious leaders. The backlash from this stance was significant. He was labeled anti-church, attacked on social media by devout followers, and even warned by insiders to “tread carefully.” Despite the pressure, Etcetera remained firm, stating that religion should be a force for justice, not a tool for profit.

III. Tensions with Political Figures and Government Loyalists

Etcetera’s most dangerous feuds were with individuals in political circles. His constant criticism of bad governance, electoral fraud, police brutality, and corruption made him a target. Though not directly linked to a specific politician, his sharp commentaries were often seen as attacks on the ruling elite — especially during the Goodluck Jonathan and early Buhari administrations.

Political loyalists and media agents loyal to power labeled him a “nuisance,” “troublemaker,” and “agent of instability.” Some column responses and radio reports began to mirror state-driven narratives attempting to discredit his activism. Ultimately, these feuds contributed to the threats that forced him into self-exile in the United States.

Threats and Self-Exile

As the backlash escalated, the situation became increasingly unsafe. Etcetera began receiving threats — both direct and indirect — from unknown individuals who were angered by his writings and radio content. The tension peaked in 2015–2016, and after a series of alarming incidents, he made the life-altering decision to relocate to the United States.

He later disclosed in interviews that these threats were real and connected to the political establishment. His departure from Nigeria was not just a personal move, but a necessary escape to preserve his freedom of expression and personal safety.

Controversies in the Diaspora

Relocation did not change Etcetera’s character — it only gave him a new platform. In 2021, he founded the Federal Character media outlet, based in Maryland, USA. The online publication quickly became known for its fiery editorials, hard truths about African leadership, and deep analysis of neo-colonialism and post-independence African failure.

The articles published on Federal Character — often written by Etcetera or under his editorial direction — have continued to stir controversy. He has been criticized for being “too harsh” on Nigerian society and leadership, and for not “promoting a positive image” of the country. Yet, for Etcetera, truth remains more important than national image, and he continues to insist that hard conversations are necessary for genuine change.

Personal Life and Relationships of Paschal Uche Ejikeme (Etcetera)

Despite his public profile as a musician, columnist, and activist, Paschal Uche Ejikeme, better known as Etcetera, has always maintained a relatively private and disciplined personal life. A man of strong convictions and introspective depth, Etcetera has often been described as someone who prefers solitude, reflection, and intellectual dialogue over the flamboyant lifestyle commonly associated with the entertainment industry.

Etcetera’s views on love, marriage, and relationships are deeply personal and somewhat unconventional, especially by Nigerian celebrity standards. He has publicly stated in various interviews that he is not desperate to get married, and has even expressed skepticism about the institution of marriage as commonly practiced in society today. He believes that marriage should not be a societal pressure, but a conscious, spiritual, and meaningful commitment — not merely a cultural expectation.

As of the most recent reports, Etcetera is not married and has not publicly confirmed any romantic relationship. While rumors have occasionally surfaced linking him to women within the entertainment and media space, none have been substantiated, and he has largely avoided discussing his romantic life in public.

His emphasis has always been on self-awareness, purpose, and emotional maturity before committing to any long-term relationship. In his own words, he once said:

“I would rather be single and at peace than married and in conflict with myself.”
This stance has led to both admiration and debate, with some praising his honesty and others questioning his traditional alignment with African cultural values.

Personality and Lifestyle

Away from controversy and public discourse, Etcetera is known to live a quiet, minimalist life. He enjoys reading, playing the piano, meditating, and writing. Even during his years in the spotlight in Lagos, he avoided excessive partying and rarely appeared at celebrity events unless necessary. Since relocating to the United States, he has adopted a lifestyle focused on intellectual work, media activism, and music production from behind the scenes.

He is a deep thinker, often described as intense, principled, and uncompromising in his beliefs. Those who have worked closely with him say he is respectful, articulate, and private — a man who chooses meaning over noise in all areas of life.

References

Ejikeme, Paschal Uche. The Punch Newspaper Opinion Columns. Lagos: Punch Nigeria Ltd., 2012–2015.

Federal Character Media. “News. Opinion. Analysis.” https://www.federalcharacter.com.

ThisDay Live. “Why I Left Nigeria – Etcetera Opens Up.” Interview, 2016. https://www.thisdaylive.com.

Top Radio 90.9 FM. Etcetera Live Radio Show Archives. Lagos: Top Radio, 2013–2015.

X3M Music Nigeria. Etcetera Album Releases. Lagos: X3M Music, 2007, 2010. http://www.x3mmusic.com.

Music In Africa Initiative. “Etcetera: Artist Profile.” https://www.musicinafrica.net.

NotJustOk. “Etcetera ft. Vector – P&G.” Music Release, 2014. https://www.notjustok.com.

YouTube Music. “Etcetera – Official Artist Channel.” https://www.youtube.com.

Spotify. “Etcetera – Artist Profile.” https://www.spotify.com.

Nigerian Entertainment Today (TheNet.ng). “Public Commentary and Industry Reactions to Etcetera.” Archived Content. https://www.thenet.ng.

Wikipedia. “Etcetera (Nigerian Musician).” https://en.wikipedia.org/wiki/Etcetera_(Nigerian_musician).

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